Digital Program
Skidmore Theater presents:
LAST SUMMER AT BLUEFISH COVE
Written by Jane Chambers
Directed by Lillie Shelor
February 28 – March 5, 2025
All Shows At 8pm, Except Sunday at 2pm
The Sunday 2pm performance offers Closed Captioning. Closed Captioning provides text-based descriptions of dialogue and important sounds in a performance, making the show more accessible to those who are deaf or hard of hearing. This service is provided by Ai-Media and sponsored by the Office of the Dean of the Faculty and the Presidential Discretionary Fund, in collaboration with the Arts Administration Program and Theater Department.
FEATURING:
Lil: Sydney Mann
Eva: Nina Renkert
Kitty: Isadora Zucker
Annie: Ken Caron-Quinn
Rae: Lilian Forbes
Rita/Eva Understudy: Emily Landolfi
Donna: Sky Estrada
Sue/Lil Understudy: Sophie D’AmoreSwings: Becca Durst, Ally Stanton
CREATIVE TEAM:
Adelaide Lance (Scenic Design), Lily Lugiano (Costume Design), Lillian Culver-Anderson (Lighting Design), Jordan Zickmann (Sound Design)Ellery Shea (Dramaturg)
Penelope Gibeau (Stage Manager)
PRODUCTION TEAM:
Teisha Duncan (Intimacy & Violence Coordinator), Laura Menzie (Voice and Text Coach), Noelle Dravis (Asst. Stage Manager), Sarah Neel (Asst. Stage Manager), Jess Goerold (Paint Charge), Logan Waugh (Props Designer), Halo Van Steenkiste (Hair/Make-Up Designer), Brian H Scott (Technical Director), Brandon Sewall (Asst. Technical Director), Samantha Garwood (Costume Shop Manager), Megan Richardson (Asst. Costume Shop Manager), Lily Gould (Wardrobe Supervisor), Ruth Leech (Master Carpenter), Ella Theoharis (Master Electrician), Liz Gluz (Asst. Master Electrician), Max Kraftsow (Asst. Master Electrician), Elina Zhu (Light Board Op.), Nathaniel Lewis (Sound Board Op.)
CONTENT DISCLOSURES:
This show contains strong language and mature themes.
PLEASE NOTE:
The video and/or audio recording of this performance is strictly prohibited.
PRODUCTION CREWS:
Scenic Build
Andie Alcorn, Ken Caron-Quinn, Tommy Cattalani, Noelle Dravis, Penelope Gibeau, Tabi Mechner, Mira Meola, Garin Miner-Drews, Theo Perkins, Emile Sentveld, Mia Snorek-Yates, Jordan Zickmann
Electrics Crew
Asa Baker-Rouse, Tommy Cattalani, Noelle Dravis, Liz Gluz, Adin Kasmin, Max Kraftsow, Garin Miner-Drews, Ella Theoharis, Nathan Vardi, Jordan Zickmann
Costume Shop
Xander Burt, Eliza Clark, Lillian Culver-Anderson, George Fortin, Emma Froelich, Lily Gould, Lily Lugiano, Nex Hagan, Maggie Krieg, Eleanor Lewis, Juliana Lopez, Ezra Merleax, Veda Ramaswami, Nina Renkert, Ellie Rosser, Lila Sandler, Milo Scowden, Javier Soto, Audrey Spiegel, Anna Staltari, Jojo Zou
Paint Crew
Andie Alcorn, Amanda Denney, Maggie Kreig, Sal Malach, Brianna Segura, Lucy Silcox, Meghan Wax, Chenbei Zhou
Props Crew
Penelope Gibeau, Nate Lewis, Tali Lissai, Ellie Rosser, Lucy Silcox, Mia Snorek-Yates
Front of House
Matthew Bukzin, Stella Dolkart, Beti Essa, Z Gerstenblatt, Crosby Jassem, Isabella Li, Tali Lissai, Sal Malach, Zizi Meeks, Mira Meola, Sarah Neel, Theo Perkins, Yvette Walla, Chenbei Zhou
Theater Technicians
Asher Cortés, Lillian Culver-Anderson, Lu Glassberg, Maggie Hogan, Max Kraftsow, Ruth Leech, Josh Lucey, Lillie Shelor, Ella Theoharis, Ava Vitale, Naomi Wagner, Isadora Zucker
Wardrobe
Eliza Clark, Lily Gould, Lila Sandler
Newsletter
Gray Birchby, Stephanie Kemple, Moxie Mills, Ellery Shea, Kit Simpson, Anna Staltari, Em WIlliams, Isadora Zucker
MANAGEMENT STAFF:
Sue Kessler (Management Director), Reyn Ricafort* (General Manager), Lucas Falick (Program Manager), Becca Durst (Assistant Program Manager), Aminah Hopewell* (Advertising / Office Manager), Bailey Gerson (Online Media Manager), Maggie Krieg (Online Media Manager), Sophie Kelly* (Publicity & Social Media Manager), Brenna O’Brien (Visuals Manager), Logan Waugh (Photography Manager), Kit Simpson (Newsletter Editor-in-chief), Emily Landolfi (Front of House Manager), Audrey Tignor (Box Office Manager)
*Miranda Family Fellow
TIME AND PLACE:
Bluefish Cove, Summer of 1980
DRAMATURGICAL INFO:
How do we care for others? How will we care for each other?
How can we care for and pay tribute to those who came before us?
And how can we care for those who come next?
In Jane Chambers’s play Last Summer at Bluefish Cove, a tight-knit group of friends make their annual retreat to the seaside lesbian community of Bluefish Cove, a place where they can freely express themselves without any consequence. Though Bluefish Cove is not a real place, we have drawn inspiration from places like Cherry Grove, New York, in bringing it to life on the stage.
Located on Fire Island, a barrier island off the coast of Long Island, Cherry Grove is spatially secluded from the outside world, accessible only by Ferry, which has allowed visitors to freely express themselves without fear of persecution for generations. This was especially important during the 1970s, a time when both legislation and dominant cultural attitudes were overwhelmingly condemning of queer love.
Early audiences commended Last Summer at Bluefish Cove for its realistic depictions of sapphic love as joyous, ordinary, and well-adjusted – representations which were, until then, markedly absent from the theater. Based in the year 1980, the play positions us into a time that is post-Stonewall, pre-AIDS, and amidst the force of second-wave feminism. During this time, the LGBTQ+ rights movement was deeply entangled with feminism: because outsiders conflated feminists as lesbians and vice versa, the two movements could not help but rely upon each other.
When I first began reading Last Summer at Bluefish Cove and noticed the time period in which it is set, I thought to myself: “What a historical time to be a lesbian!” – but the more time I spent with the play, it became clear to me that everything these characters experience is timelessly universal: their love for each other, their care for their community, their respect for their elders and history, and the necessity of their pride despite the injustice inflicted upon them outside of the Cove. If it weren’t for the occasional pop culture reference, it is quite easy to forget what time we’re observing – and rightfully so!
Now more than ever, many communities of identity are having their freedom to express themselves threatened. We invite you to celebrate and pay tribute to the revolutionary power that comes with self-expression and caring for the people in our community who are with us, to those who came before us, and those who will come after us, by joining us in the lobby for letter-writing and art-making activities. Above all else, enjoy the show, and take care.
SPECIAL THANKS:
Tammis Doyle
Ian Berry
Moreau Lake State Park
Malina Schwartz
Lisa Jackson-Schebetta
Jared Klein
Samantha Garwood
Megan Richardson
Garett Wilson
Wendy Anthony
Mariel Martin
Susan Lance
Kurt Lance
Lleyton Lance
PLAYWRIGHT BIO:
Jane Chambers (1927 – 1983) was a playwright, novelist, screenwriter, and journalist. Despite being denied the right to study playwriting in college due to her gender, Chambers went on to teach herself dramaturgy and became one of the most influential playwrights of the twentieth century. Though she is best known for the lesbian dramas that she wrote in the late 70s and early 80s, including A Late Snow (1974), Last Summer at Bluefish Cove (1980), My Blue Heaven (1981), and Kudzu (1983), Chambers made a plethora of contributions outside of the theater. These included authoring several soap operas, novels, and pulp fictions, and even winning a Writers Guild of America award in 1973 for “Best Daytime Drama.” Chambers passed away from a brain tumor in 1983, and was survived by her partner, Beth Allen, who published a collection of Chambers’s poetry in her memory.
CAST BIOS:
Ken Caron-Quinn ’27 (Annie Joseph) is a sophomore Theater major and prospective Arts Administration and Film and Media studies double minor. Their previous acting credits at Skidmore are [RE]MAKING (Body), Never Swim Alone (Frank), Lonely Planet (Jody), Of People and Places I Know (Pride), and Preaching to the Choir (Ellie). They are also a member and secretary of Extravagemz, a dance group at Skidmore. This summer, Ken will be interning in arts administration. They are so excited to work alongside such an amazing cast and crew to present this beautiful and heartfelt story to the world. They would like to thank their partner, friends, and family for their boundless support throughout the process.
Sophie D’Amore ’26 (Sue McMillan) is a junior Theater major and Music minor. Her previous acting credits include The Winter Guard Play (Lucy), The Great Impresario Boris Lermontov Invites You To Dinner (Actor N/L) and The Sandbox (Grandma). She is also a member of The Accents acapella group and helps manage Skidmore’s WSPN radio station. In Fall 2024, Sophie attended the Accademia Dell’Arte in Arezzo, Italy to study Physical Theater, Clown, and Commedia Dell’Arte. She is so thrilled to work alongside such a wonderful cast and crew! She thanks her partner, family, friends, and caffeinated drinks for their endless support.
Becca Durst ’27 (Swing) is a sophomore Theater major and possible Film and Media Studies minor. Her recent acting credits at Skidmore include Heart in the Ground (Karen) and Demonized (Marthe). Becca is also the Secretary of Skidomedy, a sketch comedy group on campus. This summer she will be continuing her study of theater at Accademia Dell’Arte in Arezzo, Italy. She is so thankful to have had the opportunity to work with this incredible cast and crew on this beautiful and important project!
Sky Estrada ’27 (Donna Atterly) is a sophomore Theater major with a potential minor in Media and Film Studies. Her previous acting credit at Skidmore is Where Are You Going, Little Horse? (Little Boy/Ensemble). She is so grateful to be a part of this incredible project and work with such a talented cast and crew! She would like to thank her family and friends for their love and support! ¡Mucha Mierda!
Lilian Forbes ’26 (Rae Joseph) is a junior Psychology and Computer Science major. Her previous acting credits include Persephone (Persephone), Preaching to the Choir (Chloe), and A Midsummer Night’s Dream (Helena). She is also an executive board member of Lunchbox Magazine, Skidmore’s arts and literary magazine. Lilian is incredibly grateful to be part of Bluefish Cove and to work alongside such a wonderful cast and crew. She would like to thank her friends and family for their love, support, and patience along this path and many others.
Emily Landolfi ’27 (Rita Sanderson) is a sophomore Political Science and English double major with a potential Theater minor. Her previous acting credits at Skidmore include The Thugs (Mercedes), Where Are You Going, Little Horse? (Ensemble), and Persephone (Ellen). Emily is the Treasurer of the Sketchies, a sketch comedy group on campus, and is currently rehearsing for the Music Department’s “The Voices of Ukraine” opera in late March. She is overjoyed to be working alongside such a supportive, kind, and talented cast and crew to tell this beautiful story of love. She thanks her family, friends, and abundance of snacks!
Sydney Mann ’27 (Lillian Zalinski) is a Theater major, with prospects in Environmental Science. Their previous credits include The Courage to Right a Woman’s Wrongs (Tibaldo, Don Juan understudy), Lonely Planet (Carl), and Layla’s Room (Reece / Joe). Sydney hopes the production helps our community see the beauty of LGBTQ+ communities. They would like to thank the department for their holistic support and dedication.
Nina Renkert ’25 (Eva Margolis) is a senior Theater Major/Spanish and Arts Administration double-minor. Her recent acting credits include The Winter Guard Play (Mindy), The Courage to Right a Woman’s Wrongs (Lisarda) After Jane (Swing), Eurydice (Swing), and The Sandbox (Mommy). Nina most recently directed a studio lab, Layla’s Room, and is soon to be completing a self-produced musical theater cabaret alongside Darren Jackson-Wilkens for her senior project. She is so excited to act on the Skidmore stage one last time alongside so many hard-working actors. She would like send so much love to her family, friends, and mentors for their endless guidance.
Ally Stanton ’27 (Swing) is thrilled to be a part of Last Summer at Bluefish Cove! At Skidmore, they have participated in studio labs such as Never Swim Alone (Lisa/Referee) and A Year with Frog and Toad (Father Frog, Bird, Puppeteer), as well as the Fall 2023 mainstage, The Courage to Right a Woman’s Wrongs (ensemble/understudy). They are also acting in this semester’s playwright’s lab, Songs in C Major at the End of the World (Jean), written by Audrey Tignor, which has been such a unique and exciting creative process. Ally wants to thank all of the countless teachers and mentors that have been a part of their journey. Ally has loved Bluefish Cove for years and looks forward to sharing such a beautiful and impactful story with the Skidmore community.
Isadora Zucker ’25 (Kitty Cochrane) is a senior Neuroscience Major/Theater Minor. Previous Skidmore Theater credits include Neighborhood 3: Requisition of Doom (Kaitlyn/Chelsea), Where Are You Going, Little Horse? (Little Boy), [RE]MAKING (Body), Horse Girls (Margaret), and The Cagebirds (The Gossip). She has also performed in a production of Stephen Sondheim’s You’re Gonna Love Tomorrow with Skidmore’s Music Department, as well as a reading of Palindrome (The Woman) in tandem with the Tang Museum’s Art and Empathy exhibit. Outside of theater, she sings with the Skidmore Sonneteers. Isadora wants to thank her friends and family for their love and support! #Lesbians4Life
PRODUCTION BIOS:
Lillian Culver-Anderson ’26 (Lighting Designer) is a Theater major and Studio Art minor. Their previous Skidmore credits include Neighborhood 3: Requisition of Doom (Sound Design), Where Are You Going, Little Horse? (AME), The Winter Guard Play (Asst. Sound Design), and The Courage to Right a Woman’s Wrongs (Asst. Lighting Design). Lillian would like to thank their family, the wonderful ME team, and this semester’s small but always mighty lighting crew. They are an employee of both the scene and costume shops and look forward to presenting their work as Sound Designer for the upcoming mainstage Minor Character.
Noelle Dravis ’28 (Assistant Stage Manager) is a prospective Theater and Social Work double major. Her previous credits include Black Super Hero Magic Mama (Assistant Stage Manager) and Heart in the Ground (Stage Manager). Noelle would like to thank her parents and high school theater teachers for supporting her theater journey.
Teisha Duncan (Intimacy & Violence Coordinator) is an Artist in Residence at Skidmore college in the Acting Faculty. Her Previous Intimacy Direction support credits in the department include Baby Makes Seven and The Chaparral- BlackBox, Heddatron– Mainstage, Student Studio Lab Productions– Layla’s Room, For a Limited Time Only (The Bread Play) and productions mentored in Fall 2023 and Spring 2024.
Samantha Garwood (Costume Shop Manager) is a costume designer and draper with her bachelor’s degree from Skidmore College (‘14) and her Master of Fine Arts from Boston University (‘18). Originally from the Pacific Northwest, she has been living and working on the East Coast for the past several years working with theater companies including the Williamstown Theatre Festival, The Huntington Theatre Company, Home Made Theatre, Saratoga Shakespeare Company, Boston Conservatory, and Capital Repertory Theater. Some of her favorite shows to design have been Le Nozze di Figaro, (Boston University Opera Institute in association with the Huntington Theatre Company), A Midsummer Night’s Dream (Saratoga Shakespeare Company), and Cabaret (Skidmore College).
Jess Goerold (Paint Charge) is the Scenic Charge Artist for the Skidmore Theater Department. She has worked in theater, opera and film as a freelance scenic artist for over a decade. Previous companies include Opera Saratoga, Infinite Scenic and Syracuse Stage. She is delighted (as always) to be a part of Skidmore Theater’s production team!
Penelope Gibeau ’27 (Stage Manager) is a Theater major and Arts Administration minor. Her previous Skidmore credits include Layla’s Room (SM), Persephone (SM), The Winter Guard Play (ASM), and The Courage to Right a Woman’s Wrongs (ASM). She is also an employee in the scene shop.
Lily Gould ’26 (Wardrobe Supervisor) is a Dance Major on a pre-health track at skidmore. Their previous credits at Skidmore include The Place That Made You (Asst. Wardrobe Supervisor), After Jane (Asst. Wardrobe Supervisor), [RE]MAKING (Wardrobe Supervisor) The Winter Guard Play (Wardrobe Supervisor), A Year With Frog and Toad (Asst. Wardrobe Supervisor), and Never Swim Alone (Costume Designer). Outside of Skidmore some of Lily’s favorite credits are The Running Show (Dancer, Monica Bill Barnes & Company), Carnegie Hall New York Pops Gala (Children’s chorus 2018/19), and Broadway Youth Ensemble.
Max Kraftsow ’26 (AME) is a junior Theater major with a concentration in Stage Management and a Media and Film Studies minor. His previous Stage management credits include Neighborhood 3: Requisition of Doom (SM), Where Are You Going, Little Horse? (SM), The Courage to Right A Woman’s Wrongs (ASM), The Thugs (SM), and The Place That Made You (ASM). Other Theater credits include The Wizard of Oz (Flight Crew) and Silent Sky (Sound Board Op). Max would like to thank his mother for always being there for him.
Adelaide Lance ’25 (Scenic Designer) is an English and Theater major (Playwriting, Design & Technical Theater), with a Media and Film Studies minor. Her previous credits include The Great Impresario… (Scenic Designer, Props Coordinator), The Courage to Right a Woman’s Wrongs (Assistant Scenic Designer, Props Coordinator), The Winter Guard Play (Assistant Scenic Designer), and Black Super Hero Magic Mama (Assistant Scenic Designer, Props Coordinator). She has also written two, full-length plays, Blood and Bows and Necromanced. Adelaide would like to thank her friends and family for supporting all her creative endeavors and for believing in her imagination.
Lily Lugiano ’26 (Costume Designer) is a Studio Art major and an Italian minor. Her previous design credits at Skidmore include Neighborhood 3: Requisition of Doom (Asst. Costume Designer), and The Cagebirds (Costume Designer). She was a wardrobe member for After Jane (Crew), The Place That Made You (Crew), [RE]MAKING (Sup.), and Where Are You Going, Little Horse? (Sup.). She thanks her cats (Floof and Pushkin), and her housemate’s cat (Winifred). Regarding the play and current U.S. politics, she wants to emphasize the importance of personally contacting your local government officials and representatives about their plans to secure queer rights, women’s rights, and civil rights.
Laura Menzie (Voice and Text Coach) is an Actor, Educator, and Theatre Maker. She has studied at the Uta Hagen Institute, the Terry Knickerbocker Studio, the American Academy of Dramatic Arts and at the Accademia Dell’arte. She was also part of a collaborative devising ensemble in Querétaro Mexico with Icaro Teatro in 2013 and 2014 and a year-long writing and devising team for Modern Chalk Circle, a modern re-telling of The Caucasian Chalk Circle. Laura’s core training has been in Shakespeare and some favorite roles include Juliet, Ophelia, Beatrice, the Dutchess of York, as well as the titular role of Tartuffe at the Queens Theatre in NYC. She is passionate about helping students find their own way into dramatic material and about reimagining “traditional” theatre texts.
Sarah Neel ’28 (Assistant Stage Manager) is a perspective Narrative Studies self-determined major with a minor in Arts Administration. This is Sarah’s first show at Skidmore, and they are delighted to be a new member of the Skidmore theater community.
Brian H Scott (Member of TeamTD), a Lighting Designer based in New York City, recently designed The Handmaids Tale’ with Anne Bogart and Boston Lyric Opera, ‘the theatre is a blank page’ with SITI Company and Ann Hamilton and Lost In The Stars for LA Chamber Orchestra, Falling and Loving with Elizabeth Streb and SITI Company as well as a number of projects with Kronos Quartet. He created lighting for Tears become…Streams become, Bound to Hurt and Neck of the Woods with artist Douglas Gordon. With Ann Hamilton habitus, The Event Of A Thread. He designed lighting for Laurie Anderson and Kronos Quartet’s Landfall. As a SITI Company member he designed lighting for Chess Match No.5, Steel Hammer with Bang on a Can All Stars, American Document with Martha Graham Dancers, bobrauschenbergamerica, The Bacchae, Trojan Women, and many others.
Brandon Sewall (Assistant Technical Director) Before this role, Brandon served as the Scene Shop Specialist at Sam Houston State University in Huntsville, Texas, where he oversaw scenic operations for theatre, musical theatre, opera, music, and dance. He has additional experience collaborating with students as Technical Director at Wilkes University, Assistant Technical Director at Albright College, and Scene Shop Advisor for Princeton University’s Triangle Club, one of the oldest collegiate theater troupes in the United States. Brandon also worked as a Scenic Carpenter at McCarter Theatre Center in Princeton, New Jersey, building scenic elements for all resident productions. Some of Brandon’s favorite productions he has worked on include The Threepenny Opera (Lycoming College), Mary Shelley’s Frankenstein (McCarter Theatre Center), A Christmas Carol (McCarter Theatre Center), Goodnight Nobody (McCarter Theatre Center), Sleuth (McCarter Theatre Center), and Sweeney Todd (Sam Houston State University). Brandon’s work aims to create inviting and innovative theatrical sets for each production he works on. He does this through continued learning and exploration with students and colleagues to collaboratively engineer scenic pieces that enhance and bring theatre to life.
Ellery Shea ’25 (Dramaturg) is a senior double major in Theater and English with a minor in Media & Film Studies. Previous credits at Skidmore include In The Tank (Director), [RE]MAKING (Assistant Director / Swing), Silent Sky (Assistant Dramaturg), Destination Unknown (Celeste), Compatible (Raine), and Philip Glass Buys a Loaf of Bread (Baker). Outside of the JKB, she is proud to be a Writing Center Tutor, Peer Mentor, and the Vice President of the Periclean Honors Forum Executive Committee. Ellery would like to thank their friends, family, and faculty mentors for their everlasting support and wisdom!
Lillie Shelor ’25 (Director) is a Senior Theater major. Their previous JKB credits include The Winter Guard Play (Stage Manager), The Courage to Right a Woman’s Wrongs (Stage Manager), Edie and Mae (Director), The Place That Made You (Ben), Eurydice (Assistant Director), Heddatron (ASM), and John Proctor is the Villain (Ensemble). They recently returned from a semester in London, where they were studying directing at the British American Drama Academy. They are also an employee in the Skidmore theater scene shop. She would like to extend love and thanks to her wonderful cast and production team for their hard work and dedication to this production. She would also like to give a special thanks to Dr.Lisa Jackson-Schebetta for her guidance, as well as her friends, family, and girlfriend for their constant encouragement and support.
Ella Theoharis ’26 (Master Electrician) is a Theater and Math major. Her previous Skidmore credits include [RE]MAKING (ASM), The Courage to Write a Woman’s Wrongs (AME) The Place That Made You (Sound Op), The Great Impresario… (LD) The Winter Guard Play (ME), Where Are You Going, Little Horse? (Props Coordinator), Neighborhood 3… (Asst. Scenic Designer) and Black Superhero Magic Mama (ALD). Ella’s other credits include Pride and Prejudice and Puppets (SM, LD), A New World (ASM, Fly Op), Les Mis (Sound Op) and Resident Lighting Designer at the Brooklyn Art House. She is looking forward to serving as the Asst. Scenic Designer on Minor Character later this semester, and would like to thank the Mighty Mighty Lighting Crew for all of their help.
Halo Van Steenkiste ’28 (Makeup Artist) is a prospective Studio Art and Psychology Major, and an Anthropology minor. Her previous credits at Skidmore include Neighborhood 3: Requisition of Doom (Asst. Makeup Artist). Halo would like to thank her 2 official room mates, and her secret third room mate, for witnessing and supporting her through her mental break downs this semester.
Logan Waugh ’26 (Props Designer) is a studio art major with a concentration in photography and is also the student photographer for the JKB. Their previous credits include The Cagebirds (Gloom), After Jane (Ensemble/Understudy), Edie and Mae (Mae) and The Wizard of Oz (Dorthy #6). Logan is incredibly thankful for Ella Theoharis and Lu Glassberg for talking them into being props designer, and for Megan Richardson and Sam Garwood for helping them figure out how to gut fake fish.
Elina Zhu ’26 (Lightboard Operator) is a junior Theater major and Political Science minor. This is her first time working for the Skidmore production. She was a member of the dramaturgy group for Black Super Hero Magic Mama. She was also a member of Off-North Broadway, the musical club at Skidmore. Elina would like to thank her family, friends, and the theater department for their support.
Jordan Zickmann ’26 (Sound Designer) is a junior theater major. Previous Skidmore credits include Black Super Hero Magic Mama (Sound Designer), Neighborhood 3… (Props Coordinator), Where Are You Going, Little Horse? (Assistant Sound Designer), The Courage to Right a Woman’s Wrongs (Follow Spot Operator) After Jane (Wardrobe), Eurydice (Sound Board Operator). Outside of Skidmore, they have worked on Jersey Boys, Ernest Shackleton Loves Me, and Cabaret. They are also a founding member and tech director of Off-North Broadway, Skidmore’s musical theater club.