Guest artists Rocío Mendez and David Anzuelo held an intensive workshop focusing on intimacy, violence, and anti-racism on stage

Last weekend our second studio lab of the season opened and closed: Twilight Bowl by Rebecca Gilman, directed by Gemma Siegler '22

Last weekend we closed our first Blackbox production in two years: John Proctor is the Villian by Kimberly Belflower, directed by John Michael Diresta.

STLN EIC Madeline Munding '22 catches up with the intimacy director of JPITV and alumni of the JKB Bianca Thompson '19 to talk about her experience working on JPITV and her adventures since leaving Skidmore.

This past weekend we mounted our first studio lab of the semester: Philip Glass Buys a Loaf of Bread directed by Micah Pflaum.

Last weekend, we hosted guest artist Debra Ann Byrd! We were lucky enough to watch Byrd perform her one-woman show Becoming Othello: A Black Girl's Journey on our Mainstage.

EIC Eliza Kuperschmid '21 sits down with Production Stage Manager Taylor Jaskula '21 to learn more about her role in SpringFest's success and to find out how she feels now that it's all come to a close.

Weekend Three of the 2021 SpringFest is over and done! Check out what went down in this collection of write-ups by STLN's team of Staff Writers.

Weekend two of the 2021 SpringFest is over and done! Check out what went down in this collection of write-ups by STLN's team of Staff Writers.

Weekend one of the 2021 SpringFest is over and done! Check out what went down in this collection of write-ups by STLN's team of Staff Writers.

STLN EIC Eliza Kuperschmid '21 catches up on Zoom with Zoe Lesser '19 to hear about her adventures since leaving Skidmore.

Opening night of the 2021 SpringFest is one month away! To celebrate, we sat down with six Skidmore Theater "First-Timers" to hear about their experiences so far.

Emily Zeller ’22 tells us everything she learned at the Second City Comedy Workshop.

Madeline Munding ’22 explores the Brechtian influences on "By Design," our third and final Playwright’s Lab of the semester.

Staff writer Maggie McGuire '24 covers "The Thanksgiving Play," directed by Hannah Gross '21, and explains how the play uses ironic humor to point out real issues in both the theater world and in the way the story of Thanksgiving is taught to children.

Emily Zeller '22 recounts the run of "The Danube," directed by Hanna Yurfest '21, and the innovative way in which connection was created through lights and shadows.

STLN's coverage of the Playwright's Lab "The Fascists of the Future" by Catie LeCours '22 highlights the magic of site-specific theater and the fun of [communist] tea parties.

Madeline Munding ’22 takes us on a journey into the minds of important female authors in her recap of the first studio lab of the semester: "I Talk to Flowers."