skidmore theater living newsletter
STUDIO LAB #1: PERSEPHONE
Staff Writer Charlotte Ballantoni ’26 journeys into the world of “Persephone,” the season’s first studio lab.
SPRING ’24 MAINSTAGE: WHERE ARE YOU GOING LITTLE HORSE?
Staff writer Max McGuire ’24 unravels the breathtaking world of “Where Are You Going Little Horse?”, the season’s Spring 2024 Mainstage.
PLAYWRIGHT’S LAB: “DEMONIZED” BY GEORGIE SVRCEK ’25
Staff writer Emily Landolfi ’27 takes a closer look at the season’s Playwright’s Lab: “Demonized” by Georgie Svrcek ’25.
STUDIO LAB #5: A YEAR WITH FROG AND TOAD
A review of the season’s final studio lab: “A Year With Frog and Toad” by staff writer Ellery Shea ’25
STUDIO LAB #4: MACBITCHES
Kit Simpson ’27 reviews the blood-spattered “Macbitches”, the season’s fourth studio lab.
STUDIO LAB #3: LONELY PLANET
Staff writer Bel Kiely ’24 deciphers the world of Steven Dietz in “Lonely Planet”, the season’s third studio lab.
STUDIO LAB #2: IN THE TANK
Ben Harris ’27 looks at the existentialism of Skidmore Theater’s second studio lab “In The Tank”.
SPRING ’24 BLACK BOX: THE WINTER GUARD PLAY
Sylvie Robinson ’27 offers a detailed look into the exhilarating “The Winter Guard Play”, Skidmore Theater’s Spring ’24 Black Box.
STUDIO LAB #1: HIPPOS OF THE EASTERN ENCLOSURE
A review of Skidmore Theater’s first Studio Lab “Hippos of the Eastern Enclosure” by staff writer Allie Pape ’27
FACULTY SPOTLIGHT: MARGARITA BLUSH
Ellery Shea ’25 interviews Visiting Assistant Professor in Directing Margarita Blush on her early involvement in performance and her pull towards abstract theater.
PLAYWRIGHT’S LAB #3: “BLOOD AND BOWS” BY ADELAIDE LANCE (’25)
Kiersten Simpson ’27 delves into the fantastical world of “Blood and Bows” by Adelaide Lance ’25, the third and final Playwright’s Lab of the season.
FALL ’23 MAINSTAGE: THE COURAGE TO RIGHT A WOMAN’S WRONGS
Isadora Zucker (’25) untangles the complex but hilarious “The Courage to Right a Woman’s Wrongs”, Skidmore’s Fall 2023 Mainstage show.
PLAYWRIGHT’S LAB #2: THE YEAR IT STOPS BY REYN RICAFORT (’25)
Isadora Zucker ’25 explicates the poetry of Reyn Ricafort’s “The Year It Stops”, the season’s second Playwright’s Lab.
PLAYWRIGHT’S LAB #1: PREACHING TO THE CHOIR BY MAX MCGUIRE (’24)
Kiersten Simpson ’27 takes a closer look at Max McGuire’s farcical “Preaching To The Choir”, marking the season’s first Playwright’s Lab.
STUDIO LAB #2: THE THUGS
Editor-in-Chief Reyn Ricafort (’25) writes a critique on Skidmore Theater’s second lab show “The Thugs”.
FALL ’23 BLACK BOX: [RE]MAKING
Max McGuire (’24) deconstructs Skidmore Theater’s Fall ’23 Black Box: [RE]MAKING
STUDIO LAB #1: EDIE AND MAE
Sylvie Robinson (’27) ponders on the barren world of Skidmore’s first Fall ’23 lab show, “Edie and Mae”.
STLN STAFF 2022-2023
Editor-in-Chief: Kit Simpson ’27
Founding Editor: Gabe Cohn ’16