skidmore theater living newsletter
Kallan Dana speaks with Max Clifford, stage manager and lighting designer for “The Author’s Voice,” about his experience on the final studio lab of the semester.
Basil Lilien takes us backstage into the rehearsal process for “Cabaret”!
Max LoSardo covers dreams and dancing in this semester’s New Works Lab, “Mark and Beth Dish Dreams,” created and directed by Cara Geser ’20.
Em Miller ’20 covers the Skidmore Theater and Tang Teaching Museum collaboration–“Off the Shelf.”
Delaney Russell ’19 takes a look at the second studio lab of the semester, “Playdate,” written and directed by Kallan Dana ’19.
Staff writer Jessica Pavia ’20 speaks with the ensemble behind the Skidmore Theater-Tang Museum collaboration: “Off the Shelf.”
Basil Lilien ’19 speaks with Emma Goodman, a cast member of the second studio lab of the semester.
Philip Merrick ’19 covers Jaclyn Backhaus’s adventurous “Men on Boats,” directed by Nina Slowinski ’19.
Em Miller speaks to the design team of Jaclyn Backhaus’s “Men on Boats,” directed by Nina Slowinski ’19, about their experiences creating the world of this reimagined historical adventure.
by Megan Muratore Walking into Studio A, we see a sparsely decorated set (a bed in the center of the room, a table and chair stage right), seating for the audience set up along three of the four walls of the room (with aisles for the actors to walk through), and an old-fashioned projector, with […]
Parker Mumford ’22 speaks with Senior JKB actor Ethan Embry ’19 about his experience acting in Paula Vogel’s “The Baltimore Waltz,” directed by Sarah Marlin ’20.
Miranda Coble ’19, Kallan Dana ’19, and Philip Merrick ’19 recount their experiences at the Alumni Workshop last weekend led by Rigel Harris ’16.
Staff writer Max LoSardo ’20 covers Skidmore’s 30th annual National College Comedy Festival.
Co-editors of STLN Kallan Dana ’19 and Philip Merrick ’19 interview Joe Diebes, creator of “oyster” about his production, his process, and Alan Lomax’s Cantometrics.
Two returning Juniors reflect on their experiences abroad during the fall semester.
Natalie Lifson looks at the last studio lab of the semester, Taylor Mac’s “Hir,” directed by Philip Merrick ’19.
Staff Writer Em Miller ’20 explores the complex themes and character connections of “We Used To Wear Bonnets & Get High All the Time.”
By Em Miller Our final studio lab of the semester is Hir by Taylor Mac, directed by Philip Merrick ’19. The play is a complicated and sometimes surprising piece of theater, so I sat down with the dramaturge, August Sylvester ‘20, to discuss their perspective on it. EM: What is Hir by Taylor Mac? What’s it […]
STLN STAFF 2018-19
Editors-in-Chief: Kallan Dana ’19 and Philip Merrick ’19
Founding Editor: Gabe Cohn ’16