skidmore theater living newsletter
STLN staff writer, Katie Jacobsen ’18, gets the scoop on Bertolt Brecht’s “Antigone,” translated by Judith Malina and directed by Rachel Karp ’18.
First year and staff writer, Em Miller, makes their STLN debut by covering the second studio lab of the season, Sam Steiner’s Lemons Lemons Lemons Lemons Lemons.
“Love is difficult. Love is complicated. Love is disturbing. Love is unwanted. Love is tired. Love is timeless. Love is mortal. Love is immortal. Love is a sacrifice. And sometimes, to love is to die.”
STLN staff writer Katie Jacobsen on this semester’s Black Box production.
The Skidmore Theater Newsletter was lucky enough to receive, from an anonymous source, this diary entry, along with some photos, of Hakan Kolmstun, notorious mass murderer in Let The Right One In, our fall Black Box production.
STLN writer Joe Newman-Getzler ’21 reflects on his experience watching the New Works Lab “Things We Both Like and Why”
This past weekend, Skidmore Theater welcomed Jerry Goralnick and Lois Kagan Mingus, members of The Living Theatre, to teach a three day workshop.
Staff Writer Billy Winter ’18 covers the JKB’s first studio lab of the semester.
Editor-in-Chief, Ziggy Schulting ’18, gives Living Newsletter readers the run-down on this season’s fierce female directors and their projects.
Read about what Skidmore Theater students have been up to this summer in the field, with experiences that span from right here in Saratoga to all the way across the country.
Staff Writer Kallan Dana ’19 on our final New Works Lab of the semester “Adore,” written and directed by Jack Mulheron ’17.
“Adore,” the final New Works Lab of the semester, is a multi-media approach to a homecoming story. STLN writer Nina Slowinski talks with writer/director Jack Mulhern about his experience combining media and theater.
Three Rules of “Balm in Gilead”:
1.) There is an 85 cent minimum to sit at a booth.
2.) A junkie never falls off his stool.
3.) Dopey is our guide in this world of chaos, and the audience’s only hope of knowing where to look.
By Zoe Lesser “Ultimately, we are looking to tell four distinct truths—a task difficult enough to achieve with just one story. Yet, we also acknowledge that we cannot mask our theatrical setting, nor will we try to—we will only reveal it further.” Director Nina Slowinski ’19 prefaces Four Ten Minute Plays with this excerpt […]
Philip Merrick ’19 attends guerilla marketing “Balm in Gilead” event at Compton’s and gives the Living Newsletter a minute-to-minute debrief of what went down.
Staff writer Kallan Dana ’19 investigates how the world of Balm in Gilead acts as a petri dish for the company and characters to grow and evolve—or, rather, devolve, in this semester’s upcoming Mainstage production.
STLN staff writer Anabel Milton sits down with director Nina Slowinski ’19, actor Philip Merrick ’19, as well as stage manager and light/sound designer Miranda Coble ’19, to discuss the collaborative, and sometimes unconventional, rehearsal process thus far.
This production of Knights of The Sales Office, written by Hank Greene and directed by Mira Lamson Klein ’18, demonstrates the rigidity of corporate office culture and simultaneously displays how monotony can collapse with the slightest prod.
STLN staff writer Zoe Lesser ’19 sits down with Studio Lab director Mira Klein ’18 to discuss her upcoming production of “Knights of the Sales Office”
STLN STAFF 2017-18
Editors-in-Chief: Rachel Karp ’18 and Ziggy Schulting ’18
Katie Jacobsen ’18, Em Miller ’21, Joe Newman-Getzler ’21, Philip Merrick ’19, Natalie Lifson ’21, Caity Cook ’18, Max LoSardo ’20
Founding Editor: Gabe Cohn ’16