skidmore theater living newsletter
7 Questions for Playwright Director Rachel Karp ’18
Rachel Karp’s new play, “Of White Walls and Words,” which follows the story of a grief-stricken young woman named Charlie and her conversations with the 16th-century essayist Michel de Montaigne, premiers as a workshop production at the JKB on February 21st. She is being interviewed here by Brandon Bogle, a senior theater major and staff writer. What are […]
Fall 2015 Mainstage: “Macbeth”
JKB Macbeth is Cinematic Shakespeare for the “Game of Thrones” Generation By: Gabe Cohn ’16 Midway through Macbeth’s “Tomorrow, and tomorrow, and tomorrow” soliloquy, which by this point in history has been referenced by figures ranging from William Faulkner to Lin-Manuel Miranda, the doomed now-king describes a melancholy life full of “sound and fury.” Like Faulkner, director […]
Fall 2015 Workshop #4: “For Colored Girls…”
IN FOR COLORED GIRLS, A HUMAN CONNECTION BY: Gabe Cohn ’16 Midway through For Colored Girls Who Have Considered Suicide / When the Rainbow is Enuf, the “Lady in Green” (Brittany Kent ’18) begins an address to the audience by saying “Somebody almost walked off with all of my stuff.” This sentence becomes the anchor of […]
A Q&A Session with the cast of “Macbeth”
Right before the show opened, Newsletter Editor Gabe Cohn ‘16 sat down with Macbeth cast members Evy Yergan ’15 (Malca), Woodrow Proctor ’16 (Macbeth), Madeleine Emerick ’16 (Macduff/Assistant Fight Choreographer), Zachary Cohn ’16 (Lennox), and Rigel Harris ’16 (Lady Macbeth) to discuss the process of bringing Holly L. Derr’s gender-bent take on the “Scottish Play” to […]
Fall 2015 Workshop #3: “Trompe L’Oeil”
Trompe L’Oeil, the newest of experimental director Aaron Ardisson ‘16’s forays into the worlds and minds of genius artists, leaves much to the viewer’s interpretation. Like Ardisson’s previous devised piece, Dacha, which created its own world out of three Anton Chekhov plays, Trompe L’Oeil throws convention out the window in exchange for experimentation, while attempting […]
Fall 2015 Workshop #2: “No Exit”
Other People By: ZACHARY COHN ’16 It begins in flickering light overhead, white and red. They suggest, somewhere beyond the black curtains of Studio A, the distant light of fire. Then, voices, as of three people speaking at the same time: a small chaos. Finally, a settling. A crisp young woman, black-suited, leads a bewildered […]
Fall 2015 Black Box: “Our Town”
Overlapping Presences in Soltanoff’s Our Town By: NICK GRAVER ’16 Our Town, Thornton Wilder’s 1938 Pulitzer Prize-winning play and one of the most ubiquitous shows in American theater, hardly needs an introduction. Its established place in the canon of American theater means it is both well known and, by unfortunate extension, over-performed. It may have […]
Fall 2015 Workshop #1: “The Breasts of Tiresias”
Testing the Waters of Surrealism By: NICK GRAVER ’16 As the title The Breasts of Tiresias would suggest, Skidmore Theater’s latest workshop production is no friend to conventional realism. In case they miss the title’s reference to breasts on Tiresias, the blind male prophet of Greek mythology, the audience is reminded twice of the play’s […]
Spring Mainstage 2015: “Blood Wedding”
Honoring Lives Gone Too Soon By: Ziggy Schulting ’18 This spring, two fearless directors and an ensemble of over twenty actors collaborated to honor the remarkable life of poet and playwright Federico García Lorca, in the only way that seemed apt—through theater, love, language and art. With the help of a phenomenal crew, the Janet […]
Spring Black Box 2015: “The Penelopiad”
Giving Voices To The Voiceless By: Gabe Cohn ’16 Twelve women rush the stage like a pack of wild animals. Indignant over deeds done in a distant past, their minds are restless even years after leading a life of servitude at the hands of Odysseus. Wronged by their master, abused by their patriarchal society, and […]
Spring 2015 Workshop #3: “Fool For Love”
The Ultimate Love-Hate Relationship By: Gabrielle Collette ’18 Director of Fool for Love Alexandra Scordato ’15 shares: “I first read this play last summer, and I fell in love with it immediately. Sam Shepard is an incredible playwright.” Thanks to the brilliant work done by the cast and crew, a multitude of audience members also […]
Spring 2015 Workshop #2: “Dacha”
An Exploration of the Theatrical Form By: Molly Burdick ’17 In no way was Dacha, directed by Aaron Ardisson ’16, a traditional “play.” Unlike a traditional single-text show, Dacha was an exploration of three works by Anton Chekhov: On the Harmful Effects of Tobacco, The Bear, and The Tragedian in Spite of Himself. These three […]
Spring 2015 Workshop #1: “The Infant”
A Comedy Of Terrors By: Gabriel Cohn ’16 “The show plays with many ideas: police brutality, authoritarianism, the culture of terror that we’re living in. But it’s a comedy. Who would have thought?” Speaking with director Theo Saroglou ’16, it becomes increasingly clear that the biting political satire that first drew Saroglou to Oliver Lansley’s […]
2015 Senior Project: Kev Berry’s Wild Times 20/80
A Wild Time Guarenteed For All By: Rebecca Gracey ’18 On Tuesday, April 28th, Kev Berry ’15 opened his show entitled The Bootleggers Present WILD TIMES 20/80!!! (stop it you lazy prohibition sluts), an event unlike any Skidmore has seen before. The two-hour promenade performance took place inside the Saratoga Music Hall and utilized the […]
2015 Senior Project: Dani Turner & Joanie Lawson’s Stupid F**king Bird
A Spin on Chekhov, With Feeling By: Caity Cook ’18 The Carriage House is buzzing. Paint cans sit open on the floor, crew sets props and lights, cast members arrive for warm-ups, and the open space of this unique venue transforms into an exciting play world. But despite this frenzy of activity, Danielle Turner ’15 […]
2015 Senior Project: Jonathan Lee-Rey’s Hotel Anello
The World Outside the Elevator By: Giorgos Petkakis ’18 What do a widower, a 7-year-old girl, and a grade school teacher all have in common? Although it may sound like the opening line of a potentially bad joke, this arrangement of characters were in fact the springboard for a different kind of comedy. This semester, […]
The 2nd Annual 24-Hour Play Festival
A Matter of Time By: Sam Grant ’18 It usually takes a village to put up a production in the JKB Theater. Costumes need to be designed, lighting needs to be perfected, and scripts need to be thoroughly studied—just to name a few pieces of the puzzle. This year’s production of Together We Can […]
Fall 2014 Mainstage: “American Medea”
In Front of the Lens By: Grace Gerrish ’15 In the midst of a gaggle of flamboyantly dressed neighbors, Medea (Evy Yergan ’16) looked lost and confused beneath the hot Texas sun. In actuality, the source of the heat is a glaring spotlight—pointed at her by a swarming, omnipresent camera crew. They project her confusion […]
STLN STAFF 2022-2023
Editor-in-Chief: Kiersten Simpson ’27
Founding Editor: Gabe Cohn ’16