skidmore theater living newsletter
Fall 2015 Mainstage: “Macbeth”
JKB Macbeth is Cinematic Shakespeare for the “Game of Thrones” Generation By: Gabe Cohn ’16 Midway through Macbeth’s “Tomorrow, and tomorrow, and tomorrow” soliloquy, which by this point in history has been referenced by figures ranging from William Faulkner to Lin-Manuel Miranda, the doomed now-king describes a melancholy life full of “sound and fury.” Like Faulkner, director […]
Fall 2015 Workshop #4: “For Colored Girls…”
IN FOR COLORED GIRLS, A HUMAN CONNECTION BY: Gabe Cohn ’16 Midway through For Colored Girls Who Have Considered Suicide / When the Rainbow is Enuf, the “Lady in Green” (Brittany Kent ’18) begins an address to the audience by saying “Somebody almost walked off with all of my stuff.” This sentence becomes the anchor of […]
A Q&A Session with the cast of “Macbeth”
Right before the show opened, Newsletter Editor Gabe Cohn ‘16 sat down with Macbeth cast members Evy Yergan ’15 (Malca), Woodrow Proctor ’16 (Macbeth), Madeleine Emerick ’16 (Macduff/Assistant Fight Choreographer), Zachary Cohn ’16 (Lennox), and Rigel Harris ’16 (Lady Macbeth) to discuss the process of bringing Holly L. Derr’s gender-bent take on the “Scottish Play” to […]
Faculty Spotlight: Jared Klein
By: Mira Klein ’18 *This article originally appeared in print in The Skidmore Theater Newsletter. It has been transcribed from its original format* He does not see me standing in the corner. Focused on hanging lights, it is not until eventually decide to clear my throat that Jared Klein looks at his watch: “Lunch time already?” […]
VIDEO: Macbeth Fight Call
Before each performance of Macbeth, Assistant Fight Choreographer Maddy Emerick ’16 (Macduff) runs the cast through each fight sequence in the show. Check out the video below to see her fight with Woodrow Proctor ’16 (Macbeth) before the final dress rehearsal. Emerick says of the show’s combat, “Macbeth really runs the gamut. It has intimate […]
Fall 2015 Workshop #3: “Trompe L’Oeil”
Trompe L’Oeil, the newest of experimental director Aaron Ardisson ‘16’s forays into the worlds and minds of genius artists, leaves much to the viewer’s interpretation. Like Ardisson’s previous devised piece, Dacha, which created its own world out of three Anton Chekhov plays, Trompe L’Oeil throws convention out the window in exchange for experimentation, while attempting […]
Fall 2015 Workshop #2: “No Exit”
Other People By: ZACHARY COHN ’16 It begins in flickering light overhead, white and red. They suggest, somewhere beyond the black curtains of Studio A, the distant light of fire. Then, voices, as of three people speaking at the same time: a small chaos. Finally, a settling. A crisp young woman, black-suited, leads a bewildered […]
Fall 2015 Black Box: “Our Town”
Overlapping Presences in Soltanoff’s Our Town By: NICK GRAVER ’16 Our Town, Thornton Wilder’s 1938 Pulitzer Prize-winning play and one of the most ubiquitous shows in American theater, hardly needs an introduction. Its established place in the canon of American theater means it is both well known and, by unfortunate extension, over-performed. It may have […]
Faculty Spotlight: Yvonne Perry
By: Rachel Karp ’18 *This article originally appeared in print in The Skidmore Theater Newsletter. It has been transcribed from its original format* Yvonne Perry, whose course “Acting for the Camera” offers theater students a look at the world of screen acting, grew up in a small town in upstate New York. While applying to colleges, she […]
Faculty Spotlight: Gautam Dasgupta
By: Zachary Cohn ’16 *This article originally appeared in print in The Skidmore Theater Newsletter. It has been transcribed from its original format* Professor Gautam Dasgupta (affectionately referred to as “Gautam” among students) has a reputation as one of the Skidmore Theater Department’s eminent minds. A leading scholar and theater critic, his knowledge of the arts […]
Fall 2015 Workshop #1: “The Breasts of Tiresias”
Testing the Waters of Surrealism By: NICK GRAVER ’16 As the title The Breasts of Tiresias would suggest, Skidmore Theater’s latest workshop production is no friend to conventional realism. In case they miss the title’s reference to breasts on Tiresias, the blind male prophet of Greek mythology, the audience is reminded twice of the play’s […]
Spring Mainstage 2015: “Blood Wedding”
Honoring Lives Gone Too Soon By: Ziggy Schulting ’18 This spring, two fearless directors and an ensemble of over twenty actors collaborated to honor the remarkable life of poet and playwright Federico García Lorca, in the only way that seemed apt—through theater, love, language and art. With the help of a phenomenal crew, the Janet […]
Spring Black Box 2015: “The Penelopiad”
Giving Voices To The Voiceless By: Gabe Cohn ’16 Twelve women rush the stage like a pack of wild animals. Indignant over deeds done in a distant past, their minds are restless even years after leading a life of servitude at the hands of Odysseus. Wronged by their master, abused by their patriarchal society, and […]
Spring 2015 Workshop #3: “Fool For Love”
The Ultimate Love-Hate Relationship By: Gabrielle Collette ’18 Director of Fool for Love Alexandra Scordato ’15 shares: “I first read this play last summer, and I fell in love with it immediately. Sam Shepard is an incredible playwright.” Thanks to the brilliant work done by the cast and crew, a multitude of audience members also […]
Spring 2015 Workshop #2: “Dacha”
An Exploration of the Theatrical Form By: Molly Burdick ’17 In no way was Dacha, directed by Aaron Ardisson ’16, a traditional “play.” Unlike a traditional single-text show, Dacha was an exploration of three works by Anton Chekhov: On the Harmful Effects of Tobacco, The Bear, and The Tragedian in Spite of Himself. These three […]
Spring 2015 Workshop #1: “The Infant”
A Comedy Of Terrors By: Gabriel Cohn ’16 “The show plays with many ideas: police brutality, authoritarianism, the culture of terror that we’re living in. But it’s a comedy. Who would have thought?” Speaking with director Theo Saroglou ’16, it becomes increasingly clear that the biting political satire that first drew Saroglou to Oliver Lansley’s […]
STLN STAFF 2022-2023
Editor-in-Chief: Kiersten Simpson ’27
Founding Editor: Gabe Cohn ’16