skidmore theater living newsletter
Studio Lab #1: “I Talk to the Flowers”
Madeline Munding ’22 takes us on a journey into the minds of important female authors in her recap of the first studio lab of the semester: “I Talk to Flowers.”
Playwright’s Lab #1: “Everything Everywhere” by Zachary Troyanovsky ’21
Check out Emily Zeller ’22’s coverage of the first Playwright’s Lab of the season, “Everything, Everywhere,” an exploration into memory and growing up by Zachary Troyanovsky ’21.
New Works Lab Fall 2020: Our Trip to San Marino
Check out Maggie McGuire ’24’s coverage of the Fall 2020 New Works Lab “Our Trip to San Marino,” a jam-packed road trip comedy written and directed by Joe Newman-Getzler ’21.
Sweat Zoom Reading
A bit of insight into Skidmore Artist-in-Residence John Michael DiResta’s Zoom reading of “Sweat” by Lynn Nottage.
Summer Spotlights 2020
The fourth installment of STLN’s Summer Spotlights is here and this time, there’s a twist! How did Skidmore students continue to create art and persevere during the largely virtual COVID summer? Find out here through their own personal accounts.
Spring ’20 Mainstage: Radium Girls
“Radium Girls” is a dramatization of a tragic historical event. Meg Gray ’22 examines how this play captures what happens when labor rights, scientific breakthroughs, and patriarchal institutions collide.
Studio Lab #1: The Gulf
In our first of three student-directed Studio Labs this semester, Hannah Gross ’21 looks at a failing relationship written by Audrey Cefaly. Staff writer Carrie Baker ’20 examines the eroticism and power dynamics represented on stage.
Glow Time: Researching and Creating the World of Radium Girls
Joe Newman-Getzler walks us through the dramaturgy and historical research that has gone into the Spring Mainstage, “Radium Girls” directed by Rebecca Marzalek-Kelly.
Dancing and Devising: A Look Back on Fall Semester 2019
Skidmore students have many opportunities to experience new ways of thinking about theater thanks to visiting artists that come to campus every semester and hold workshops that allow students to collaborate and expand their understanding of art. As we look ahead to the exciting experiences this semester holds, let us also look back on previous […]
Fall Study Abroad Spotlights
With the beginning of a new semester, some familiar faces have returned to campus after participating in study abroad programs. In this article, we hear from three students who each had different, but equally rewarding experiences.
A Sociological Perspective on Theater
Sociology major Esther Hibbs talks about how her main field of study has informed her work in the Skidmore Theater Deparment as a hair designer, House Manager, and dramaturge.
Mainstage Fall ’19: The Hour We Knew Nothing of Each Other
What does a play with no dialogue and over 400 characters look like? Bizarre, spectacular, and eye-opening, is director Phil Soltanoff’s answer.
Intertextuality in Mud: An Understanding of the Light Motif
In the fearless spirit of the cast, crew, and creative staff of Mud, we too must “beat on” against the patriarchy
“The Hour…” Director Phil Soltanoff on Naïve Theater, the Grand Canyon, and Agonizing Existential Dilemmas
Nick Leonard ’20 interviews the director of this semester’s Mainstage production, Peter Handke’s “The Hour We Knew Nothing of Each Other” for a perspective on his process for this unusual play.
New Works Lab Fall 2019: Sadboy Hours
Mary Harriman ’20 wrote, co-directed, and starred in “Sadboy Hours,” a raw and personal exploration of her college life. Read on for Meg Gray ’22’s coverage of the performance!
Studio Lab #2: “Snow White”
Mac Elizalde ’23 covers Marjorie Solokoff’s “Snow White,” a children’s theater piece adapting the classic fairy tale, directed by Rebecca Schilsky ’20.
Fall 2019 Black Box: A Cycle of Fear and Structure in “The Harvest”
Staff writer Esther Hibbs ’19 explores the questions raised by this fall’s production of “The Harvest” by Samuel D. Hunter and directed by John Michael DiResta.
Speaking In Tongues, Revisiting Your Past, and Brokeback Mountain: Preparing For “The Harvest”
Max LoSardo ’20 sits down with two actors and an assistant director for the Fall 2019 Black Box show, Samuel D. Hunter’s “The Harvest” directed by John Michael DiResta, and gets an inside look at the challenges and rewards of the rehearsal process.
STLN STAFF 2022-2023
Editor-in-Chief: Kit Simpson ’27
Founding Editor: Gabe Cohn ’16